Cartoon peaceful scenery movie#

We are invited to wonder aloud: What if…? Like differing accounts of the same fairy tale, our imaginations expand, ask new questions, and are challenged to hold even conflicting information about our beloved heroes all at once. Canon or not, conflicting plot points or not, the way I see it, adjustments and alterations to previously set characters can add layers and depth.

So, why be bothered by a change in wardrobe? Johnston, putting her in different places with different people at different times. The final arc of The Clone Wars and “ Resolve” in Tales of the Jedi altered Ahsoka’s previously canonized storyline from the young adult novel, Ahsoka by E.K. Live-action Ahsoka still wears her drab gray.įor Star Wars books and comics fans, tweaking character stories as they enter new mediums is nothing new. Animated Ahsoka wore dazzling white robes and carried a tall, elegant staff in her hand. Because now we know that Sabine has real hope of finding Ezra, she had a real and challenging relationship with Ahsoka, and her Mandalorian identity-what had been so important to her throughout Rebels-had quite literally been put on a shelf.īut the live-action scene wasn’t a perfect translation from animation. So, to see it in live action, in context-Sabine’s reflective stance before the image of her friends, her reunion with a stern, older Ahsoka, that Mandalorian helmet clutched at her hip and her hair trimmed short-it gave me chills. For me, at least, the epilogue to Rebels had always been memorable: something more than the story at hand, a scene rife with promise and potential and the power to stir the imagination to action.īut what comes next…? That’s what that epilogue always did for me. There is real misery in Happy-Go-Lucky, but Poppy is still Poppy in the end.For fans of Star Wars animation, seeing the final scene of Star Wars Rebels come to life in the second episode of Ahsoka was significant. It’s a heavenly moment through Leigh’s eyes, especially after all the painful feelings touched on that we expect from Leigh. It is pure peacefulness, just two friends on a boat relishing each other's company. It is a long take of Poppy and a dear friend simply enjoying a lovely day out. The ending is one of the happiest endings I’ve seen. Somebody will always try to rain down on anyone’s parade, but Poppy is such a strong character, somebody who doesn’t let others deter her mood or outlook, as strange as it may look to others. Such a positive and wholesome character whose happiness in the face of misery is almost heroic. Even when Poppy faces misery, like a character played by Eddie Marsan, she stays resilient. The North London school teacher’s joy is infectious throughout Happy-Go-Lucky. The world is dark, but nothing and certainly nobody can dim Poppy’s sincere enthusiasm for life. Sally Hawkins is a blinding ray of sunshine in what’s maybe Mike Leigh’s most cheerful film. Well, it’s very dramatic… it’s very dramatic.” Even in death, there are laughs in Jarmusch’s movie. “This is the final shootout scene,” the samurai says. Ghost Dog: The Way of the Samurai is Jarmusch’s samurai classic, which has a ton of great laughs and an all-timer finale. There are bursts of violence in The Way of the Samurai, but the meditative tale is a reposeful look at self-discipline, honor, the power of knowledge, and yes, the life of an ice cream truck driver.

Cartoon peaceful scenery movie#

The Forest Whitaker-led and RZA-scored samurai movie has a vibe of its own, pure Jarmusch yet drawing from a wide range of influences. Jarmuch’s movie is impossible to break down in one sentence, though. There’s a calmness to his movies, even when he’s following a poet bus driver, hipster vampires, a Don Juan facing his past mistakes, or in the case of Ghost Dog: The Way of the Samurai, a hitman living the life of a samurai in Brooklyn, New York.

In the same vein as Linklater, plenty of Jim Jarmusch movies could go on this list.

“Life is a state of mind,” is one of the many doses of wisdom that Being There leaves its audience with. Satire, politics, and the buzzing but possibly inconsequential questions aside, Being There is also a movie that’s as delicate as Chauncey Gardiner. Sometimes being there is enough, even to get ahead in the world of politics. Maybe it’s pointless to search for meaning in Being There, but what isn’t pointless, is exactly what the title says. Like everyone Chauncy meets, we always gravitate towards him and hang on to his every word. He’s just a man who enjoys gardening and watching television, but then again, maybe he’s more than that. The satire resonates strongly today, watching Chauncey Gardiner (Sellers) become the popular kid among political royalty as he says nothing of substance. The story still has Ashby’s and star Peter Sellers’ biting wit, as well as their more tragic qualities as storytellers.